Perceptual and Computational Categories in Art
Christian Wallraven, Douglas W. Cunningham, Roland Fleming
Workshop on Computational Aesthetics, 2008, pp. 131--138.
Abstract: The categorization of art (paintings, literature) into distinct styles such as expressionism, or surrealism has had a profound influence on how art is presented, marketed, analyzed, and historicized. Here, we present results from several perceptual experiments with the goal of determining whether such categories also have a perceptual foundation. Following experimental methods from perceptual psychology on category formation, naive, non-expert participants were asked to sort printouts of artworks from different art periods into categories. Converting these data into similarity data and running a multi-dimensional scaling (MDS) analysis, we found distinct perceptual categories which did in some cases correspond to canonical art periods. Initial results from a comparison with several computational algorithms for image analysis and scene categorization are also reported.
Article URL: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138
BibTeX format:
@inproceedings{Wallraven:2008:PAC,
  author = {Christian Wallraven and Douglas W. Cunningham and Roland Fleming},
  title = {Perceptual and Computational Categories in Art},
  booktitle = {Workshop on Computational Aesthetics},
  pages = {131--138},
  year = {2008},
}
Search for more articles by Christian Wallraven.
Search for more articles by Douglas W. Cunningham.
Search for more articles by Roland Fleming.

Return to the search page.


graphbib: Powered by "bibsql" and "SQLite3."