Perceptual and Computational Categories in Art
Christian Wallraven, Douglas W. Cunningham, Roland Fleming
Workshop on Computational Aesthetics, 2008, pp. 131--138.
Abstract: The categorization of art (paintings, literature) into distinct styles such as expressionism, or surrealism has had a profound influence on how art is presented, marketed, analyzed, and historicized. Here, we present results from several perceptual experiments with the goal of determining whether such categories also have a perceptual foundation. Following experimental methods from perceptual psychology on category formation, naive, non-expert participants were asked to sort printouts of artworks from different art periods into categories. Converting these data into similarity data and running a multi-dimensional scaling (MDS) analysis, we found distinct perceptual categories which did in some cases correspond to canonical art periods. Initial results from a comparison with several computational algorithms for image analysis and scene categorization are also reported.
@inproceedings{Wallraven:2008:PAC,
author = {Christian Wallraven and Douglas W. Cunningham and Roland Fleming},
title = {Perceptual and Computational Categories in Art},
booktitle = {Workshop on Computational Aesthetics},
pages = {131--138},
year = {2008},
}
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