Environment Matting and Compositing
Douglas E. Zongker, Dawn M. Werner, Brian Curless, David H. Salesin
Proceedings of SIGGRAPH 99, August 1999, pp. 205--214.
Abstract: This paper introduces a new process, environment matting,which captures not just a foreground object and its traditional opacity matte froma real-world scene, but also a description of how that object refracts and reflects light, which we call an environment matte. The foreground object can then be placed in a new environment, using environment compositing, where it will refract and reflect light from that scene. Objects captured in this way exhibit not only specular but glossy and translucent effects, as well as selective attenuation and scattering of light according to wavelength. Moreover, the environment compositing process, which can be performed largely with texture mapping operations, is fast enough to run at interactive speeds on a desktop PC. We compare our results to photos of the same objects in real scenes. Applications of this work include the relighting of objects for virtual and augmented reality, more realistic 3D clip art, and interactive lighting design.
Keyword(s): environment matte, refraction, reflection, image-based rendering, environment map, augmented reality, interactive lighting design, clip art, alpha channel, blue-screen matting, blue spill, colored transparency
@inproceedings{Zongker:1999:EMA,
author = {Douglas E. Zongker and Dawn M. Werner and Brian Curless and David H. Salesin},
title = {Environment Matting and Compositing},
booktitle = {Proceedings of SIGGRAPH 99},
pages = {205--214},
month = aug,
year = {1999},
}
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