graphbib: A searchable database with over 13,000 unique entries from the fields of computer graphics, computer vision, animation, and perception.

Enter a search term in the box. "AND" and "OR" work. Results returned, by year, in descending order (newest first).

Your query returned 33 results.

Result #1 of 33.
An Automated High-Level Saliency Predictor for Smart Game Balancing
George Alex Koulieris, George Drettakis, Douglas Cunningham, Katerina Mania
In ACM Transactions on Applied Perception, 11(4), January 2015.
(more...)
Result #2 of 33.
SAMBA: Steadied Choreographies
Jarek Rossignac, Mark Luffel, Alvar Vinacua
Workshop on Computational Aesthetics, 2012, pp. 1--9.
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Result #3 of 33.
Integrarte: Digital Art Using Body Interaction
Barbara P. Castro, L. Velho, D. Kosminsky
Workshop on Computational Aesthetics, 2012, pp. 11--15.
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Result #4 of 33.
Sketches by Paul the Robot
Patrick A. Tresset, F. Fol Leymarie
Workshop on Computational Aesthetics, 2012, pp. 17--24.
(more...)
Result #5 of 33.
Feedback-guided Stroke Placement for a Painting Machine
Oliver Deussen, Thomas Lindemeier, Sören Pirk, Mark Tautzenberger
Workshop on Computational Aesthetics, 2012, pp. 25--33.
(more...)
Result #6 of 33.
The aMotion Toolkit: Painting with Affective Motion Textures
Matt Lockyer, Lyn Bartram
Workshop on Computational Aesthetics, 2012, pp. 35--43.
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Result #7 of 33.
A Technique for Art Direction of Physically Based Fire Simulation
Ashwin Bangalore, Donald H. House
Workshop on Computational Aesthetics, 2012, pp. 45--54.
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Result #8 of 33.
Evaluating Visual Aesthetics in Photographic Portraiture
Shehroz S. Khan, Daniel Vogel
Workshop on Computational Aesthetics, 2012, pp. 55--62.
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Result #9 of 33.
Determining an Aesthetic Inscribed Curve
Brian Wyvill, P. G. Kry, R. Seidel, D. Mould
Workshop on Computational Aesthetics, 2012, pp. 63--70.
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Result #10 of 33.
Developing a System of Screen-less Animation for Experiments in Perception of Movement
Carol MacGillivray, B. Mathez, F. Fol Leymarie
Workshop on Computational Aesthetics, 2012, pp. 71--80.
(more...)

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