graphbib: A searchable database with over 13,000 unique entries from the fields of computer graphics, computer vision, animation, and perception.
Enter a search term in the box. "AND" and "OR" work. Results returned, by year, in descending order (newest first).
Your query returned 19 results.
Result #11 of 19.
Modeling and Synthesis of Aperture Effects in CamerasDouglas Lanman, Ramesh Raskar, Gabriel TaubinWorkshop on Computational Aesthetics, 2008, pp. 81--88.
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Result #12 of 19.
Applications of High Precision Imaging PolarimetryLaszlo Neumann, Ramon Hegedus, Gábor Horváth, Rafael GarciaWorkshop on Computational Aesthetics, 2008, pp. 89--97.
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Result #13 of 19.
Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic IntentDaniel M. GermanWorkshop on Computational Aesthetics, 2008, pp. 99--106.
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Result #14 of 19.
Regularity and Randomness in Bridget Riley's Aarly Op ArtNeil A. DodgsonWorkshop on Computational Aesthetics, 2008, pp. 107--114.
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Result #15 of 19.
Informational Dialogue with Van Gogh's PaintingsJaume Rigau, Miquel Feixas, Mateu SbertWorkshop on Computational Aesthetics, 2008, pp. 115--122.
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Result #16 of 19.
Pictorial Analysis of Line-drawingsThomas Hurtut, Yann Gousseau, Farida Cheriet, Francis SchmittWorkshop on Computational Aesthetics, 2008, pp. 123--130.
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Result #17 of 19.
Perceptual and Computational Categories in ArtChristian Wallraven, Douglas W. Cunningham, Roland FlemingWorkshop on Computational Aesthetics, 2008, pp. 131--138.
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Result #18 of 19.
A novel cubic-order algorithm for approximating principal direction vectorsJack Goldfeather, Victoria InterranteIn
ACM Transactions on Graphics, 23(1), January 2004.
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Result #19 of 19.
Line direction matters: an argument for the use of principal directions in 3D line drawingsAhna Girshick, Victoria Interrante, Steven Haker, Todd LemoineProceedings of the 1st international symposium on Non-photorealistic animation and rendering, 2000, pp. 43--52.
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